COLLECTION

Our carpets aren’t just hand-knotted, they’re hand-selected. So instead of relying on middlemen, we actually travel to the carpet-making regions of Iran, Turkey, Afghanistan, Nepal, China, India, Tibet and Pakistan to bring you the best quality and price. It’s also why we’re able to certify the authenticity of all our rugs.



 

We keep roughly 5000 Persian and Oriental carpets in stock at all times, which means you won’t have to wait weeks or months to bring one home. There are traditional, transitional and contemporary designs in all kinds of:

  • sizes (1'x2' to 13'x20')
  • shapes (rectangle, squares, round, oval, hexagonal, octagonal and runners)
  • and materials (wool, silk, kurkwool, cashmere, yak hair and hemp)

 

And while you can find out more about them here, nothing compares to seeing them in person.


TRADITIONAL

The design elements in a traditional rug are centuries old, mostly of Persian (Iran) origin and full of meaning. They typically feature a “medallion” in the centre and a thick ornate border. Scrolling vines, arabesques, palmettes, or overlapping geometric compartments are also popular.

Traditional rugs are usually named after the region where they’re made or the tribe that creates them. The most popular Iranian designs are: Tabriz, Mahal, Kashan, Isfahan, Sarouk, and Sultanabad. Traditional carpets have also long been made in other parts of Asia and Europe.

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TRANSITIONAL

As the name suggests, transitional rugs are a mix of traditional and contemporary carpet styles. You’ll see muted earth tones and classic design elements but rarely a centre “medallion”. Though floral designs are common, these rugs come in colours and patterns that suit a variety of floors and furniture.

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CONTEMPORARY

Constructed by hand, in the time-honoured way, contemporary rugs are mostly borderless. Their designs are inspired by nature and everyday life. Their patterns can be abstract or geometric. And they can sometimes feature a single colour or varying tones. Modern and elegant, contemporary rugs go well with most floors, furniture and art.

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SPECIALITIES

Antiques & Antique Reproductions

Like all antique rugs, ours are traditional in nature. The oldest in our collection are from the late 1700s. Their workmanship is exquisite. And their beauty is perhaps second only to their historic significance.

Some experts believe that the value of antique Persian and Oriental carpets can appreciate as much as 300% in just 10 years. In fact, a 17th-century silk carpet recently fetched $4.45 million at auction.

That said, we also carry beautiful antique reproductions. Meticulously made, they undergo at least five distinct processes to achieve their aged look. Which is why they’re as collectible as any antique.

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Silk Classics

Most fine Persian rugs also contain silk. Some are even entirely silk. And there’s evidence of silk carpets as far back as the 16th century. Their appeal is understandable, since few natural fibres are finer, softer or shinier. Plus, thanks to silk’s high-tensile strength, they take to floors just as easily as they do to walls.

100% silk carpets often come with the master weaver’s signature. You can see many of these gems at our showroom, including one that has roughly 18 million knots.

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Kilims

Popular and versatile, kilim and dhurries are great for adding subtle accents around the home and office. They’re tightly woven, and feature a flat surface with no pile, which is why they’re also called flat weaves.

For a word that means “to spread roughly”, it’s not surprising that kilims can be hung on walls, draped over furniture and even made into handbags. Most dhurries are made in India, while kilims mainly come from Turkey and Iran.

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TABLEAUS

Fashionable in many Asian and European countries, tableaus are pictorial carpets that hang on walls. Their designs vary. You’ll find classic Persian motifs as well as modern re-creations of familiar works of art (think your favourite artist in carpet form). Tableaus can be displayed with or without a frame anywhere in your home or office, but it’s best not to keep them behind glass as their beauty, detail and texture should be seen and felt.

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